On Thursday, Mitzi Gaynor, the iconic Hollywood starlet renowned for her roles in musical films such as “South Pacific,” “Les Girls,” and “There’s No Business Like Show Business,” passed away at the age of 93.
Her management team, Rene Reyes and Shane Rosamonda, announced her passing on Gaynor’s official X account, stating that she “died peacefully today due to natural causes.”
The statement further read, “She has entertained audiences in films, on stage, and on television for over eight decades. She cherished every moment of her illustrious career and was grateful for her privilege as an entertainer. Beyond her professional life, she was a dynamic and extraordinary woman, a loyal and compassionate friend, and an altogether wonderful human being, full of warmth, grace, and humor. And she was quite the cook too!”
It was often said by Gaynor that her audiences were “the sunshine of my life.”
Gaynor, a triple threat as an actress, singer, and dancer, began dancing at the age of 8, starting with ballet and tap lessons. She later performed with the L.A. Civic Light Opera during her early teenage years. She continued dancing into her 20s while filming 1958’s “South Pacific,” where she played Ensign Nellie Forbush in the Rodgers and Hammerstein’s musical. She also won the hearts of audiences in the 1950s films “Anything Goes” with Bing Crosby and “The Joker Is Wild” with Frank Sinatra.
As her career progressed, she captured the admiration of younger audiences through her numerous TV specials. She also had a successful stage career, most notably starring in her annual “Mitzi Gaynor Show” where she performed stand-up comedy, delivering her material in various dialects, one of which she attributed to her father, a cellist born in Hungary. She also starred in the national tour of “Anything Goes” from 1980 to 1990.
Her management team said, “We take solace in the fact that her artistic legacy will continue to live on through her many memorable performances captured on film and video, her music recordings, and especially through the love and admiration audiences worldwide have generously shared with her throughout her life and career.”
Born Francesca Marlene de Czanyi von Gerber on September 4, 1931, in Chicago, Gaynor was the daughter of a cellist father and a ballroom dancer mother who nurtured their daughter’s interest in performing arts from an early age.
She told Closer earlier this year, “When I was 9 years old, my mother and aunt took me to see Carmen Miranda in the stage revue ‘The Streets of Paris.’ I was captivated! I remember telling my mother, ‘I can do that. I want to do that.’ From that point on, everything was about turning ‘Tootie’ — my childhood nickname — into a star.”
At the age of 11, Gaynor and her family moved to Hollywood, and at 17, the trained ballerina signed a seven-year contract with 20th Century Fox. A studio executive suggested she change her name, as he claimed it sounded like a deli, she revealed to CBS in 2019.
“He suggested, ‘How about Gaynor, [like] Janet Gaynor?’ My father loved it,” she recalled.
Gaynor made her film debut in a supporting role in the musical “My Blue Heaven” (1950) alongside Betty Grable. She was smitten with her renowned co-star.
“I would follow her into the restroom if she had to go,” she jokingly said in 2012.
Shortly after, Fox provided Gaynor with her first leading role in “Golden Girl” (1951). She quickly followed up with appearances in “Bloodhounds of Broadway” (1952); “Down Among the Sheltering Palms” (1953); and “There’s No Business Like Show Business” (1954), where she starred alongside Ethel Merman and Marilyn Monroe.
In 1954, Gaynor married her agent, Jack Bean, who left his job at MCA to launch a publicity firm. Bean was Gaynor’s husband and manager for over five decades until his passing in 2006. The couple did not have children.
In 1960, after Gaynor’s Golden Globe-nominated performance in “South Pacific,” she and Bean purchased a Spanish-style villa in Beverly Hills, where they frequently hosted guests. That same year, Gaynor was also honored with a star on the Hollywood Walk of Fame. (Her numerous television specials later earned 17 Emmy nominations, taking home six awards.)
In the twilight of her career, Gaynor reinvented herself, touring nightclubs across the United States. She made her debut in a Manhattan nightclub in 2010, at the age of 78, with her show “Razzle Dazzle! My Life Behind the Sequins.”
Known for her flashy costumes, Gaynor reflected on the “lost art” of dressing in a 1993 interview with The Times.
“I can’t stand grunge. I can’t accept the chicness of it. Dressing is truly becoming a lost art as being casual has become fashionable,” she said. “But for those of us who lived during the ’50s and ’60s, dressing up was the norm. All those elements — the lashes, the heels, the glamour — they were real to us.”
She shared that she became renowned designer Bob Mackie’s first client when she met him during that period. At their first meeting, Gaynor thought the young visionary was a fan.
“I exclaimed, ‘Oh my God, you’re only 13!’” Gaynor remembered, adding that she “nearly fainted” when she first saw his sketches. Mackie ended up designing nearly 500 costumes for the movie star turned Vegas showgirl.
Last year, Gaynor celebrated her 92nd birthday, expressing gratitude to her fans for their enduring support on social media.
Quoting “Singin’ in the Rain” producer Arthur Freed, she wrote: “Why am I smiling and why do I sing? Why does December seem sunny as spring? Why do I get up each morning and start? Happy and head up with joy in my heart…”
“It’s all because of you.”
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My name is Alex Carter, a journalist with a deep passion for independent cinema, alternative music, and contemporary art. A University of California, Berkeley journalism graduate, I’ve honed my expertise through film reviews, artist profiles, and features on emerging cultural trends. My goal is to uncover unique stories, shine a light on underrepresented talents, and explore the impact of art on our society. Follow me on SuperBoxOffice.com for insightful analysis and captivating discoveries from the entertainment world.